黄仁宇 （1918-2000），生于湖南长沙，1936年入天津南开大学电机工程系就读。抗日战争爆发后，先在长沙《抗日战报》工作，后来进入国民党成都中央军校，1950年退伍。其后赴美攻读历史，获学士、硕士、博士学位。曾任哥伦比亚大学访问副教授及哈佛大学东亚研究所研究员。参与《明代名人传》及《剑桥中国史》的集体研究工作。

In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites. As the newly rich and the newly educated challenged the position of older elites, notions of performance and spectatorship came to animate diverse aspects of literati cultural production. The goal of Worldl...(展开全部)

During the Manchu conquest of China (1640s–1680s), the Qing government mandated that male subjects shave their hair following the Manchu style. It was a directive that brought the physical body front and center as the locus of authority and control. Feeling the Past in Seventeenth-Century China highlights the central role played by the body in writers’ memories of lived experie...(展开全部)

In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites. As the newly rich and the newly educated challenged the position of older elites, notions of performance and spectatorship came to animate diverse aspects of literati cultural production. The goal of Worldl...(展开全部)

During the Manchu conquest of China (1640s–1680s), the Qing government mandated that male subjects shave their hair following the Manchu style. It was a directive that brought the physical body front and center as the locus of authority and control. Feeling the Past in Seventeenth-Century China highlights the central role played by the body in writers’ memories of lived experie...(展开全部)